With my personal projects, I always work in series, focusing on a subject, concept or technique. I feel that each new project requires new means: a fresh start, with a new technique, new camera, new format, new film and above all new influences. It’s my conviction that we never really walk alone. It’s my wish to be reconciled with the world through photography. Often, I feel a kind of tenderness for my subjects, almost like a taste of tears. There’s still a bit of humor and derision at times but I want the viewer to feel this deep-felt amazement in my images.
Charles Weber
Photographer
Lightscapes
Every place has its own poetry, chance and surprises. My job is to capture them at night, asleep under the moon and wake them up with colour. I adorn them with coloured lights to reveal their character and, using a long exposure, I bring them to a half-light. Here, the places are no longer just recorded, they are physically walked through, invested, interpreted, illuminated. The image is more than a snapshot, it accumulates time, condenses duration, superimposes moments. We reconnect with the true etymological meaning of the word “photography”. The photos were taken on 120 colour negative film with a Mamiya C330 camera.
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Portraits of Trees - The Seasons
The glowing beacons of the theatrical changes of the seasons, trees take on the grandiose air of glamorous film stars in sequinned dresses. With the passing of time, they withdraw as frozen vagabonds, scratching the sky with their naked limbs, and then are suddenly reborn, powdered with freshness in their spring frills. They are our partners in life and invite us to muse on our common attraction to light and air, and the delicate issue of mortality. All shots were taken on 4 x 5 inch negative film. The exhibited works are silver prints, printed on 100 x 70 cm Ilford FB classic baryte paper. Limited edition of 3 copies.
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Portraits of Trees - The City
Trees within cities are like natural giants, turning houses into children’s toys. With their strong personalities and arm-like branches, they appear both humanoid and ethereal. Sumptuously cumbersome, a tree is like a child who talks too loudly and bumps into passers-by without agency over their limbs. All shots were taken on 4 x 5 inch negative film. The exhibited works are silver prints, printed on 100 x 70 cm Ilford FB classic baryte paper. Limited edition of 3 copies.
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