Le Chapelier works largely with digital cameras, but refuses to employ autofocus. This shrewd artistic decision forces him to anticipate situations and adjust his equipment before taking the shot, such that he can capture his subjects mid-movement, before atmospheric backdrops. Fascinated by the human condition, Le Chapelier’s work documents the lives of both country and city dwellers. His photographic series are constantly expanding, as he continually finds new ways to capture his subjects’ interaction with their respective environments. Alain Le Chapelier's photographs are individual testimonies: each image tells a story. His inspiration is sourced from the instantaneous compositions of Cartier Bresson, but also from Willy Ronnis’ cropped photographic frames, which suggest the entrance of a new element into the picture plane before its formal arrival.